IT's the 9th day, and we are at 10,356 words!
I feel like I've reached some form of milestone, both tangibly and intangibly.
Now that I’m counting words by the ten-thousands, my novel is starting to look more and more plausible.
Writing isn't as strenuous as it was for the first week, and I realized that I bang my head against the keyboard a lot less often now that I've got a handle on my characters.
So many things about them surprise me. Like, I was writing this string of dialogue between the protagonist and another major character (also female), and as their conversations progressed I was like
Wait
Hang on a second
Are you-
Are you flirting?
And that just gives me the butterflies every time I think about it, because YES she is ALIVEEeee.
Clarissa’s tip #1
If you’re still stuck with your characters, even after having made character sheets, and random lengths of unrelated prose, and everything else you’re tod to do, either dump that character (you’re obviously not feeling it), or keep going. Books are like water pumps, give enough thrusts and they’ll give just as much back, and more. Keep going, even if it feels wrong.
What I did in some chapters, was pause every time I felt like something was a bit off, highlight and delete whatever I felt wasn’t right, and went at it again. It’s tedious, yes, but that feeling, when you really, really hit the sweet spot, like everything is right, is what keeps me going.
Some people might advise you to keep going regardless (the NaNoWriMo process) and that’s not wrong either. But it doesn't work for me. I end up feeling so disappointed and dissatisfied with a wonky paragraph that I end up canning the whole thing because I can’t shake that feeling off.
Realizing this bit about myself was a turnaround of sorts.
I guess, if you wanted to be exact about things, you have to know yourself to know what works for you, and your characters. The clearer you see yourself, the clearer you see the people in your head.
BUT
Now I've got another problem. My protagonist is a Malay Muslim female, something that I've been adamant on sticking to from the start. But with some risqué scenes in mind, coupled with the light flirtation (that I might possibly expand upon), I’m not so sure anymore.
On one hand, that’s the exact reason I wanted to push the female Malay Muslim caricature. To develop her as a person instead of her race or religion, but how much is too much? Nana's helping me with the cultural and religious aspects, but I don’t want to rely too much on her either.
Are culture and religious sensitivities a deterrent for me? Or are they the exact reason I should push forward?
If you’re reading this, comment below. I could really use it.

